devoutfashion:

Erzulie Dantor by Katja Mayer for Never Underdressed June 2014
Model: Genesis Vallejo
devoutfashion:

Erzulie Dantor by Katja Mayer for Never Underdressed June 2014
Model: Genesis Vallejo
devoutfashion:

Erzulie Dantor by Katja Mayer for Never Underdressed June 2014
Model: Genesis Vallejo
devoutfashion:

Erzulie Dantor by Katja Mayer for Never Underdressed June 2014
Model: Genesis Vallejo
devoutfashion:

Erzulie Dantor by Katja Mayer for Never Underdressed June 2014
Model: Genesis Vallejo
devoutfashion:

Erzulie Dantor by Katja Mayer for Never Underdressed June 2014
Model: Genesis Vallejo
devoutfashion:

Erzulie Dantor by Katja Mayer for Never Underdressed June 2014
Model: Genesis Vallejo
devoutfashion:

Erzulie Dantor by Katja Mayer for Never Underdressed June 2014
Model: Genesis Vallejo
devoutfashion:

Erzulie Dantor by Katja Mayer for Never Underdressed June 2014
Model: Genesis Vallejo
devoutfashion:

Erzulie Dantor by Katja Mayer for Never Underdressed June 2014
Model: Genesis Vallejo

devoutfashion:

Erzulie Dantor by Katja Mayer for Never Underdressed June 2014

Model: Genesis Vallejo

(via blackpeopledoshittoo)

prettyblackpastel:

dynamicafrica:

FASHION | POPPY NTSHONGWANA FOR SUPERGA SS 2014/15.
The official spokesperson for Italian shoe brand Superga in South Africa,  DJ and television personality Poppy Ntshongwana models her personally-designed footwear for the label’s spring/summer lookbook.
(all images via Superga SA)

this is sooo gorgeous! prettyblackpastel:

dynamicafrica:

FASHION | POPPY NTSHONGWANA FOR SUPERGA SS 2014/15.
The official spokesperson for Italian shoe brand Superga in South Africa,  DJ and television personality Poppy Ntshongwana models her personally-designed footwear for the label’s spring/summer lookbook.
(all images via Superga SA)

this is sooo gorgeous! prettyblackpastel:

dynamicafrica:

FASHION | POPPY NTSHONGWANA FOR SUPERGA SS 2014/15.
The official spokesperson for Italian shoe brand Superga in South Africa,  DJ and television personality Poppy Ntshongwana models her personally-designed footwear for the label’s spring/summer lookbook.
(all images via Superga SA)

this is sooo gorgeous! prettyblackpastel:

dynamicafrica:

FASHION | POPPY NTSHONGWANA FOR SUPERGA SS 2014/15.
The official spokesperson for Italian shoe brand Superga in South Africa,  DJ and television personality Poppy Ntshongwana models her personally-designed footwear for the label’s spring/summer lookbook.
(all images via Superga SA)

this is sooo gorgeous! prettyblackpastel:

dynamicafrica:

FASHION | POPPY NTSHONGWANA FOR SUPERGA SS 2014/15.
The official spokesperson for Italian shoe brand Superga in South Africa,  DJ and television personality Poppy Ntshongwana models her personally-designed footwear for the label’s spring/summer lookbook.
(all images via Superga SA)

this is sooo gorgeous! prettyblackpastel:

dynamicafrica:

FASHION | POPPY NTSHONGWANA FOR SUPERGA SS 2014/15.
The official spokesperson for Italian shoe brand Superga in South Africa,  DJ and television personality Poppy Ntshongwana models her personally-designed footwear for the label’s spring/summer lookbook.
(all images via Superga SA)

this is sooo gorgeous! prettyblackpastel:

dynamicafrica:

FASHION | POPPY NTSHONGWANA FOR SUPERGA SS 2014/15.
The official spokesperson for Italian shoe brand Superga in South Africa,  DJ and television personality Poppy Ntshongwana models her personally-designed footwear for the label’s spring/summer lookbook.
(all images via Superga SA)

this is sooo gorgeous!

prettyblackpastel:

dynamicafrica:

FASHION | POPPY NTSHONGWANA FOR SUPERGA SS 2014/15.

The official spokesperson for Italian shoe brand Superga in South Africa,  DJ and television personality Poppy Ntshongwana models her personally-designed footwear for the label’s spring/summer lookbook.

(all images via Superga SA)

this is sooo gorgeous!

(via blackpeopledoshittoo)

loveserenissima:

FASHION | POPPY NTSHONGWANA FOR SUPERGA SS 2014/15

The official spokesperson for Italian shoe brand Superga in South Africa, DJ and television personality Poppy Ntshongwana models her personally-designed footwear for the label’s spring/summer lookbook

youaintshitok:

Chocolate comes from cocoa, which is a tree.

That makes it a plant.

Chocolate is salad.

(via sensei-aishitemasu)

asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “

asylum-art:

Sylvia Evers Sculptures

Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes.

(via sassgod)